
Hanuma and Abu decide to marry and Kenaoui is assigned the task of delivering Hanuma's trousseau to Abu who'd book it in the goods train. Kenaoui's frustration reaches a fever pitch and he decides to kill Hanuma. His plans are set in motion when Hanuma asks him to run off with her soft drink bucket so that the authorities can't catch her. Kenaoui asks her to come and collect it later. A tired Hamuma convinces her friend to fetch her bucket. Kenaoui ends up killing the friend thinking that she's Hanuma and delivers the body in a crate passed off as Hanuma's trousseau to Abu Serib.
What follows is how the entire station comes together and saves Hanuma from Kenaoui's evil plans. This remarkable film troubled the 1950's sensibilities of Egypt to such an extent that it was banned for almost 20 years. Set against the backdrop of a bustling railway station the director (doubling as Kenaoui as well) manages to depict the daily lives of those who work at the station as well as people who visit it using melodrama merging easily into documentary-style realism.
Over flowing with issues and thoughts, the screenplay keeps up the tone and pace all through the film's running time. Watching the film 50 years after it was made and still enjoying it proves that it has stood the test of time for it still looks fresh. The best thing in addition to the performances was the camerawork which oscillates between grand and gritty. Cairo Station's climax will stay in your mind of some time for it is tragic as well as scary.
Image Courtsey: Guardian
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